Some religions feature unusual behaviours that are accepted as manifestations of divinity. One example is glossolalia (“speaking in tongues”). Every cultural group has rituals that symbolize transcendence or divine intervention somehow, but it is concerning in modern times that people would treat this as a literal case of God “speaking through” someone, rather than as a human psychological and social phenomenon.
So what do we actually know about glossolalia? It usually isn’t the dramatic idea some imagine—suddenly speaking a real foreign language you never learned. Instead, it’s speech-like vocalizing: it has rhythm, emotion, and a kind of “word-like” flow, but it doesn’t reliably carry stable meaning or grammar the way a normal language does. When linguists study recordings, they tend to find that it draws heavily on the sounds and speech habits the person already has in their ordinary language—almost like a voice improvisation that feels like language, without functioning as one in the usual sense. When glossolalia happens in a context where it is expected, taught, and socially supported, it looks like a learned trance or skill—comparable to hypnosis, flow, or dissociation.
One can find examples online—there are widely circulated clips of a high-profile “faith leader,” close to a major political figure, performing “tongues” in public. I think a lot of people seeing this for the first time have a mixed reaction: perhaps, with a nervous smile, the thought "how can anyone take this seriously?" followed by some discomfort, and then a sharper concern once it lands that the performer has a large following of fervent supporters, and has mainstream political influence. It is deeply ironic that a communicative tool which does not carry any semantic meaning can be so persuasive to otherwise logical observers.
From a psychiatric point of view, glossolalia can be understood as a particular kind of altered attention state that can be learned, practiced, and performed. Put someone into the right mix of conditions—music, group emotion, high expectation, authority cues, shared language about the sacred—and a person can produce vocalizations that feel deeply meaningful. The speaker may experience it as surrendering control; the group experiences it as proof that something “beyond” is present.
This is where the social function matters most. Like “miracles,” and like behavioural restrictions that visibly mark membership, glossolalia can work as a signal: it makes the group feel special, chosen, and close to the divine in a way outsiders “don’t get.” That feeling is intensely bonding. It strengthens loyalty, rewards conformity, and makes doubt feel not merely intellectual but socially dangerous—almost like betrayal. The experience itself becomes the evidence, and the shared intensity becomes the glue.
Of course, the same machinery can be used for darker purposes. A leader who is skilled at spectacle and emotional orchestration can use these displays as persuasion technology: not by offering reasons, but by creating awe, certainty, and a sense of “we are witnessing the sacred.” The danger is not the oddness of the behaviour; it’s the way the resulting belief and allegiance can be redirected into real-world authority—sometimes including political authority, or as a tool to obtain financial donations—under a banner of divine mandate.
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